Perched high on a cliff, East Chop Lighthouse is located in a quiet residential area. Surrounded by a grassy area with a picket fence and benches, the idyllic setting belies its noble purpose. The perils offshore inspired a mariner to raise money to privately build the lighthous in 1869.
I love lighthouses but some more than others. Old Brant Point Lighthouse has no lens. Maybe this is why it connected with my artistic soul. I noticed that most people passed by this lighthouse on the way to see Brant Point Lighthouse a few steps away.
They only paused to look at the old lighthouse when they saw me drawing it. When they paused, I felt like I had achieved my purpose. That is really why I paint lighthouses. I want to offer people a moment to reflect and pause. It is in those moments that we can rediscover ourselves and the world around us.
The “Coast is Clear” for a new breathtaking look at my lighthouse paintings. I’m celebrating the relaunch of my website elainemarieartist.com with a holiday sale. I’ve made my site easier to navigate. I relaunched it after finishing a series of businesses classes.
I enrolled in SCORE’s (Service Corps of Retired Executives) free workshops on “Marketing Your Business.” I also took SCORE’s workshops on “Defining Your Target” and “Increasing Profitability.” Today I just completed the class “Selling Items Online” conducted by my local library. Besides the relaunching of my website, I look forward to implementing what I’ve learned and enhancing my community. What an exciting way to end the year!
I traveled to Trinity Buoy Wharf to sketch London’s only lighthouse, Bow Creek or Trinity Lighthouse, a day before my visit to see the paintings of JMW Turner in the Tate Museum in London. I admire the art of Turner and was excited about my upcoming visit to the Tate Museum. There was much to see-Turner bequeathed over 300 paintings to museum.
But first I was headed to the lighthouse. As we got off the Tube, we followed the directional signs to Trinity Buoy Wharf. Once there, we happened upon a lightship, in addition to the lighthouse. Two light vessels at one stop! Amazed, I hurriedly sketched the lighthouse. As the wind flipped the pages, I quickly sketched the lightship while my daughter took shelter in a nearby restaurant.
As I sketched the lightship, I thought about Turner and pondered how I could pay tribute to him. Pausing for moment, I became spellbound by the lightship that was now converted into a studio. It seemed pregnant with stories of its past.
Back in the United States, I looked at my yellow foreground and became inspired when I read how much Turner used yellow. According to the book How to Paint like Turner, “Some of Turner’s most daring and experimental innovations centered around his use of yellow. It seems to have been his favorite color and he used it liberally…For more than thirty years his use of yellow became one of the most frequently mentioned aspects of his art, with critics variously accusing him of ‘yellow fever’…”